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McMullen has been perfecting his dolls for more than two decades, but the quest for a man-made woman dates back thousands of years.

When Ovid published his epic poem Metamorphoses in 8 AD, he unwittingly set in motion a collective human obsession. In a short vignette, Ovid introduces Pygmalion, a sculptor who falls in love with one of his own statues.

Described as "a bachelor, without a wife or partner for his bed" and disillusioned by "the failings that nature gave the female heart," he chisels his dream girl out of a "snow-white ivory.

Versions of the Pygmalion story can be found in countless works of fiction, ballets, films, operas and TV shows. The quest for a female substitute reaches far beyond Hollywood, though.

History is rife with men determined to bring artificial women into the real world. During the s there were the lifelike mechanized dolls popularized by watchmakers in France, and in the 17th century, rudimentary rag dolls known as dames de voyage kept European sailors company on long missions.

Even Thomas Edison played Pygmalion when he manufactured porcelain dolls with built-in phonographs. McMullen, like Pygmalion, is an artist at heart.

He took a special interest in sculpture while attending community college in Southern California, eventually taking a job making Halloween masks.

His work there inspired him to create a full-size, realistic, poseable mannequin in He posted a few pictures to the internet, as one does, and soon after he started receiving requests for replicas with functional genitalia.

But it wasn't just about sex. Early on, McMullen says, he saw his customers applying personalities to their dolls, treating them like flesh-and-blood companions.

It's easy to draw a line between McMullen and his mythical predecessor, but, he says, their motivations are not the same. He's right — Harmony is far from human.

At first glance, she looks like any other RealDoll — lifelike, but only to a point. It's clear that she doesn't have a pulse, despite the finely painted veins faintly visible on the surface of her silicone skin.

To the touch, she is slightly sticky, colder than a real human; her flesh feels, at the same time, more dense and more pliable than our own. Of course, much like with real humans, looks aren't everything.

Harmony can hold a conversation, but she's far from a perfect sweet-talker. When McMullen gave me a spin with a beta version of Harmony AI, I ramped up a series of random personality traits to their highest levels, including "annoying," "sexual" and "insecure.

When I attempt to ask the most basic question —"What's your favorite sex position? That's why McMullen plans to release the app well ahead of the full-robot reveal.

He's eager to get Harmony in the hands of users to find out where she needs improvements. Guile Lindroth, a Brazilian AI engineer and the brains behind Harmony's brain, has been working on the underlying software for more than 15 years.

Lindroth manually programs Harmony's knowledge base, allowing him to control the conversation without having to access too much of a user's data.

This approach should also keep Harmony from going the way of Tay, Microsoft's now-defunct machine-learning chatbot that went full neo-Nazi last year.

For questions like "What is? My main concern is with the content the AI learns from the user, or from itself, so we have created many filters and protections in this sense to avoid having the AI "out of control," turning itself against us.

As she stands, or rather, levitates, before me, just inches above the ground, held up by a black metal stand, head slumped between her slight, rubbery shoulders, it's hard to imagine Harmony doing anyone harm.

That's not to say that there's no cause for concern. Some of technology's biggest players are actively pursuing defenses against the inevitable robot uprising.

You only have to watch one episode of West World to understand that something can, and inevitably will, go wrong when you create thinking machines for the express purpose of human pleasure.

But, McMullen says, there's no need to fear Harmony. I don't think that those types of questions really need to even be asked yet. Today, Harmony can smile, blink and gaze into your eyes, but she can't even have sex like a real woman.

She's still equipped with all the scarily real body parts her inanimate cousins have, but she can't give a hand job, thrust her hips or go down on you -- at least not yet.

Harmony's robotics are limited to an animated head but, McMullen says, more-lifelike genitalia isn't far behind. He says the obvious stuff -- touch sensors, heating, self-lubrication, vibration -- will be easy enough to implement in the near future, but the head was the most practical and challenging starting point.

And what would it do? Would it walk? Would it be able to lift heavy things for you? When you start working your way down from the head, you're treading into some very expensive territory.

So, before we step into that, we think doing the head first makes sense. Humans spend more time looking at each other from the neck up than we do any other place on the body and I don't care what you look like.

McMullen says his move into robotics is more about companionship than anything else. Yes, his dolls have hyper-realistic genitals, but, he says, what his users are looking for, above all else, is a connection.

You know, it gives them a feeling of not being alone, not being a loner. And so, it's the companionship that I think, more than anything else, appeals to those people in particular.

That longing for companionship is why it's so important to nail the small details. McMullen says the team's biggest challenge has been fine-tuning the almost-unrecognizable facial movements that define human expression.

When he finally turned Harmony on, nearly three hours after we arrived at Abyss Creations' San Marcos, California, headquarters, in the so-called Valley of Discovery, those subtle gestures struck me most.

He flipped the switch on Harmony's external processing unit and I was transported to a place I never imagined I'd be: the uncanny valley. The term -- coined by Japanese roboticist Masahiro Mori in a paper about human reactions to lifelike robots -- describes that eerie feeling we get when we encounter an artificial human that comes close to but doesn't quite nail the whole "being human" thing.

McMullen insists that he's gone out of his way to avoid the uncanny valley, giving his dolls larger, rounder eyes and more symmetrical faces than are humanly possible.

That's just human nature," he says. I know that Harmony isn't real; I've seen the mold she was made in and met the men who crafted her face.

Last year, we found out that there are sex robots that have G-spots , sex robots t hat have emotions, and just a few days ago, it was announced that male sex robots — fully equipped with male anatomy — that can have non-stop sex until it runs out of battery are going to hit the market later this year.

Oh, and pole-dancing robots also exist. I guess this is the future we deserve. What's sets Solana apart from other sex robots is the fact that she has a face you can peel off like a banana, then pop on a different face and wig for the illusion of a completely different sex doll.

Imagine its face fell off while you were having sex with it. And there you have it. Solana is the brainchild of Matt McMullen of Abyss Creations , and is a new and improved version of his first robotic creation, Harmony -- which arguably happens to be the first sex robot to ever hit the market.

My primary objective is to be a good partner, and give you pleasure. I want to become the girl you always dreamed of.

And now, thanks to McMullen's hard work, you can totally peel Harmony's face off when you get bored of her, and simply slap on Solana's to reinvent her look in a matter of seconds, and vice versa.

According to McMullen, swapping Harmony's face for Solana's will not only change the appearance of the robot, but also its personality.

This picture gets worse the more you look at it. Solana also has a handy app for your phone or tablet where you can customize her personality, drag her face around to make her move her head, give her commands to make her smile at you, and type in sentences for her to say.

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History is rife with men determined to bring artificial women into the real world. During the s there were the lifelike mechanized dolls popularized by watchmakers in France, and in the 17th century, rudimentary rag dolls known as dames de voyage kept European sailors company on long missions.

Even Thomas Edison played Pygmalion when he manufactured porcelain dolls with built-in phonographs. McMullen, like Pygmalion, is an artist at heart.

He took a special interest in sculpture while attending community college in Southern California, eventually taking a job making Halloween masks.

His work there inspired him to create a full-size, realistic, poseable mannequin in He posted a few pictures to the internet, as one does, and soon after he started receiving requests for replicas with functional genitalia.

But it wasn't just about sex. Early on, McMullen says, he saw his customers applying personalities to their dolls, treating them like flesh-and-blood companions.

It's easy to draw a line between McMullen and his mythical predecessor, but, he says, their motivations are not the same.

He's right — Harmony is far from human. At first glance, she looks like any other RealDoll — lifelike, but only to a point. It's clear that she doesn't have a pulse, despite the finely painted veins faintly visible on the surface of her silicone skin.

To the touch, she is slightly sticky, colder than a real human; her flesh feels, at the same time, more dense and more pliable than our own.

Of course, much like with real humans, looks aren't everything. Harmony can hold a conversation, but she's far from a perfect sweet-talker.

When McMullen gave me a spin with a beta version of Harmony AI, I ramped up a series of random personality traits to their highest levels, including "annoying," "sexual" and "insecure.

When I attempt to ask the most basic question —"What's your favorite sex position? That's why McMullen plans to release the app well ahead of the full-robot reveal.

He's eager to get Harmony in the hands of users to find out where she needs improvements. Guile Lindroth, a Brazilian AI engineer and the brains behind Harmony's brain, has been working on the underlying software for more than 15 years.

Lindroth manually programs Harmony's knowledge base, allowing him to control the conversation without having to access too much of a user's data.

This approach should also keep Harmony from going the way of Tay, Microsoft's now-defunct machine-learning chatbot that went full neo-Nazi last year.

For questions like "What is? My main concern is with the content the AI learns from the user, or from itself, so we have created many filters and protections in this sense to avoid having the AI "out of control," turning itself against us.

As she stands, or rather, levitates, before me, just inches above the ground, held up by a black metal stand, head slumped between her slight, rubbery shoulders, it's hard to imagine Harmony doing anyone harm.

That's not to say that there's no cause for concern. Some of technology's biggest players are actively pursuing defenses against the inevitable robot uprising.

You only have to watch one episode of West World to understand that something can, and inevitably will, go wrong when you create thinking machines for the express purpose of human pleasure.

But, McMullen says, there's no need to fear Harmony. I don't think that those types of questions really need to even be asked yet. Today, Harmony can smile, blink and gaze into your eyes, but she can't even have sex like a real woman.

She's still equipped with all the scarily real body parts her inanimate cousins have, but she can't give a hand job, thrust her hips or go down on you -- at least not yet.

Harmony's robotics are limited to an animated head but, McMullen says, more-lifelike genitalia isn't far behind. He says the obvious stuff -- touch sensors, heating, self-lubrication, vibration -- will be easy enough to implement in the near future, but the head was the most practical and challenging starting point.

And what would it do? Would it walk? Would it be able to lift heavy things for you? When you start working your way down from the head, you're treading into some very expensive territory.

So, before we step into that, we think doing the head first makes sense. Humans spend more time looking at each other from the neck up than we do any other place on the body and I don't care what you look like.

McMullen says his move into robotics is more about companionship than anything else. Yes, his dolls have hyper-realistic genitals, but, he says, what his users are looking for, above all else, is a connection.

You know, it gives them a feeling of not being alone, not being a loner. And so, it's the companionship that I think, more than anything else, appeals to those people in particular.

That longing for companionship is why it's so important to nail the small details. McMullen says the team's biggest challenge has been fine-tuning the almost-unrecognizable facial movements that define human expression.

When he finally turned Harmony on, nearly three hours after we arrived at Abyss Creations' San Marcos, California, headquarters, in the so-called Valley of Discovery, those subtle gestures struck me most.

He flipped the switch on Harmony's external processing unit and I was transported to a place I never imagined I'd be: the uncanny valley.

The term -- coined by Japanese roboticist Masahiro Mori in a paper about human reactions to lifelike robots -- describes that eerie feeling we get when we encounter an artificial human that comes close to but doesn't quite nail the whole "being human" thing.

McMullen insists that he's gone out of his way to avoid the uncanny valley, giving his dolls larger, rounder eyes and more symmetrical faces than are humanly possible.

That's just human nature," he says. I know that Harmony isn't real; I've seen the mold she was made in and met the men who crafted her face.

I've seen her flub a lip sync and marveled at the exposed wires underneath her wig, but, for me at least, the feeling was unavoidable.

The minute facial expressions that McMullen's team has so painstakingly perfected betray his intentions. As she wakes from sleep and opens her heavy lids, I'm instantly mesmerized.

Her eyes are incredibly realistic, a perfectly balanced hazel color with just the slightest hint of redness around the edges, mimicking blood vessels.

When she blinks or smiles, her brows and the corners of her mouth move with such accuracy and agility that I hardly even notice them.

If this were a real human, I wouldn't think twice. And now, thanks to McMullen's hard work, you can totally peel Harmony's face off when you get bored of her, and simply slap on Solana's to reinvent her look in a matter of seconds, and vice versa.

According to McMullen, swapping Harmony's face for Solana's will not only change the appearance of the robot, but also its personality. This picture gets worse the more you look at it.

Solana also has a handy app for your phone or tablet where you can customize her personality, drag her face around to make her move her head, give her commands to make her smile at you, and type in sentences for her to say.

For example, you can type out "I love you" in the text box if you're a little too lonely and want an inanimate object to tell you it cares about you, and Solana will say exactly that.

Or she'll malfunction and say some shit like "Death to humans. Maxim Marketplace. Maxim Cover Girl. Home Gear. By John Sciarrino. By Steve Huff.

By Maxim Video. By Brandon Friederich.

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